seiskink: (Uncanny valley lady)


Image from: Hark! A Vagrant

What are the audience hoping to get out of Baz Luhrmann’s “The Great Gatsby”? Even if one’s own expectations have fallen short, it is still worthwhile to catch this film simply to discuss what makes or breaks this film adaptation of Fitzgerald’s seminal novel. I have spent my wait for this film’s release looping the film’s two official trailers for hours, then spent more hours looping the songs used in the trailers. Yet upon viewing the movie, I knew by the time the credits roll that I won’t be re-watching “The Great Gatsby” with the same zeal.

Warning: Spoilers and subjective opinions abound.

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seiskink: (Inside Barbie)
Note: Screencaps manually taken by me from Youtube.
Warnings: Violence, rape, low quality graphics

“The Piano Teacher” features a professor Erika Kohut’s attempt to regain control of her life while living under her overbearing mother’s thumb through establishing a master/slave relationship with Walter Klemmer, her young suitor. After hearing responses of fascinated disgust from friends who have watched this film for their “Madness In Literature” module, I decided to watch it for myself out of a passion for dissecting perversion. The central psychological mystery of the film is the root of the titular piano teacher’s madness and while it may seem that the answer is evident in the sexualized acts the protagonist performs for her self-pleasure, I believe that the film’s progression of perversion is more than a shock tactic and instead serves to problematize the protagonist’s unnatural innocence.

 

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